Hybridization and intermediality diary of intermédia reporting : the travelogue, from iconotextuel hybridization to over-hybridization
Sticking to « work hybrid » iconography refers to « the art Métis » and gives birth to shapes margins such as « travel diary » that are the crucible of intermediality: between comics, photograph album and documentary-diary filmed between graphic novel and anime adaptation, yet evoking the travelogue. Intermediality gender (out of paper) promotes the process of hypertext linked to the transposition or the resumption of another kind. To what extent the travelogue would it be a kind intermedia? This reflection derives the definition of gender intermedia and processes at work. The hybridization artialité or art is at the origin of the process of intermediality?
The birth of an artistic genre, from collages and collision between the arts, is the first step, then, after the recognition of the genre, its diffusion would take place in the media in a media phenomenon of confusion. Also the travelogue would it multimedia, inter-iconic hybrid as « the album of images » is part of cinematic storytelling, hypertext of the transposition. The hybridity of the album « Diary » has in common with the story chart, and storyboard artist book.The travel is both a « mosaic work » and « hybrid work » that tends to the combination of media images and artistic images. The travel book, in its recent developments, would form a « digital mosaic », nourished by the aesthetics of globalization and mixing artistic, cultural or media and intermediality.  Forms of hybridization, we give examples were born: in short combinations between comics, book travel, photography, reportage album, « filmed diary, » graphic novel, adventure novel, anime adaptation.
The combination of media images and artistic images of some travelogues, blogs or websites, perhaps inspired collaboration between a journalist, a photojournalist and a designer at the origin of hybrid albums like » Iraq, year zero « Arnaud de La Grange, Bertrand and Thomas Goisque Miollis or as » photographer « Guibert, Lefevre and Mercier album complemented by a DVD-document a project manager for MSF made France 3 . And the travelogue video entitled « Pocket Japan » Kraftfeld  reports twenty-one days in Japan that combines video and excerpts from news images or manga, either « incoporations filmic »  by Nathalie Roelens distinguishes four types: « cinema and photography », « » cinema and drawing « , » cinema and writing « and » cinema and painting. » The travel video online combines incorporations. Also intermediality, and multimediality hypermédialité seem inseparable and thus open the mosaic work.
The edition of the Diary, which took years of editorial standardization, seem to follow the same spirit in the quest for gender hybridity, underpinned by a marketing impact tends to distribute in any medium or media combined Type « book-CD-DVD ». And the type is exported to other media and is expanding to other genres in a notion of intermediality and blending of images. The album as comics wonder intermediality: University Summer CNBDI does she not the comic cross-media, cross-media, global media: the album unique to multiple screens  Children’s literature to the stage as on the screen ? A roundtable Biennial Book Travel Clermont-Ferrand is thinking similar to « The travel multimedia, intermedia and transmedia » . The writing on the screen, it seems generic mutate and change media .
BABIR Sémir, ROELENS Nathalie Visible. The heterogeneity of the visual: visual intermediality. PULIM, University of Limoges, in February 2008, No. 3.
BARBOZA Pierre. Internet: the global circulation of images. World Dictionary of the image. eds. Laurent Gervereau. Paris: Editions New World, 2006, p.552-555.
BARBOZA Pierre, Jean-Louis WEISSBERG. The image Cohosh: scénarisations digital course of the seminar « Action image. » L’Harmattan, 2006. (Visual fields)
BELLOUR Raymond. The between-images: photography, film, video. Paris: The difference, 1990, 2002. (Tests)
BELLOUR Raymond. The inter-frame 2: Words, images. Paris: POL, 1999.
BRAUN Carol-Ann, Annie Gentes. The question of intermediality in the works on the Internet: a legacy fluxien?. Cahiers Louis-Lumière « Territories audiovisual wandering, roaming and borders, » Fall, 2005, No. 3.
CAUNE Jean. Aesthetic communication. Paris: PUF, 1997. (What do I know? No. 3259).
CAUNE Jean. Cultural mediation: a social link building. Issues of communication, 2000.
COUCHOT Edmond, HILAIRE Norbert. Digital art: how technology comes to the world of art. Paris: Flammarion, 2003 (Champs).
COUCHOT Edmond. The critically about digital art: an introduction to the question: Interarts Paris seminar at the University of the Arts, 1999. Paris: Klincksieck, 2001
DEJASSE Edwin. Boxes very sensitive. Comics to the test of reality, coord.Alban Pierre Delannoy. Paris: L’Harmattan, 2007. (CIRCAV, No. 19)
FONTANILLE Jacques. Intermediality: the poster in the ad press. Visible PULIM, February 2008. No. 3, p. 108-109.
FROGER Marion Müller Jürgen Ernst. Intermediality and sociality: history and geography of a concept. Münster: Nodus, 2007.
GROENSTEEN Thierry. A cultural object unidentified. Paris: Editions de l’An 2, 2006 (Essays).
HIGGINS, Dick. Intermedia (written in 1965). Fluxus dixit: an anthology.Edited by Nicolas Feuillie. Paris: Presses the real 2002.
HIGGINS DICK. Something Else Press Newsletter. New York, February, 1996, No. 1.
JEANNERET Yves. The page to the screen, and affiliations between sectors.The heterogeneity of the visual, Volume 3: Intermediality visual, dir. Sémir Badir, Nathalie Roelens. Limoges: PULIM, 2008. p. 154.
LANCIEN Thierry,DELAVAUD Gilles (Pref.). Dossier: On the media … the other. MédiaMorphoses, April 2006, No. 16.
LANCIEN Thierry. On the other media. Genealogy and media identity.MédiaMorphoses, INA, A. Colin, April 2006, No. 16.
MATTELARD Tristan (Dir.). Media, migration and transnational cultures. Paris: INA De Boeck, 2007. (Media-Research)
MULLER Ernst Jürgen. To intermediality: history, positions and options of an axis of relevance. MédiaMorphoses « On the other media … », No. 16, January 2006.
MULLER Jürgen E. The intermediality, a new interdisciplinary approach: perspectives and practical example of the vision of the TV. Cinemas, vol.10, No. 2-3, 2000, p. 105 -134.
SCHUITEN François, Benoît Peeters. The adventure of the images. Of comics multimedia. Paris: Otherwise, 1996.
The promise of digital hybridization, X, work in process. Paris: Publications de la Sorbonne, 1996.
 Research conducted by Ernst Jürgen Müller in the research center intermediality Montreal, CRI: http://cri.histart.umontreal.ca/cri/
See research by Thierry Lancien, CIS Professor at the University of Bordeaux III (GRESIC-MICA) http://gresic.u-bordeaux3.fr/index.htm
 Incorporaions cinematic. Nathalie Roelens. The heterogeneity in the visual, Volume 3: Intermediality visual, dir. Sémir Badir, Nathalie Roelens, PULIM, 2008, p. 71-87.
 From July 5 to 7, 2010 in Angouleme http://www.citebd.org/spip.php?article1399
 From June 30 to July 1, 2010 in Charleville-Mezieres: http://univ2010.wordpress.com/about/
 From 19 to 21 November 2010: http://www.biennale-carnetdevoyage.com/
 written on the screen, popular literature: generic mutations, mutations media. Jacques Migozzi (Dir.). Limoges: PULIM, 2000 (literature margin).Proceedings of the conference organized in 1998 by the Centre of popular literature from the University of Limoges associated with the Centre for Research in Quebec literature.